{"id":3269,"date":"2022-09-10T06:00:00","date_gmt":"2022-09-10T11:00:00","guid":{"rendered":"https:\/\/educationalrenaissance.com\/?p=3269"},"modified":"2023-03-30T23:02:53","modified_gmt":"2023-03-31T04:02:53","slug":"the-pathway-to-mastery-apprenticeship-in-the-classroom","status":"publish","type":"post","link":"https:\/\/educationalrenaissance.com\/2022\/09\/10\/the-pathway-to-mastery-apprenticeship-in-the-classroom\/","title":{"rendered":"The Pathway to Mastery: Apprenticeship in the Classroom"},"content":{"rendered":"\n
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Robert Greene<\/figcaption><\/figure>\n\n\n\n

A new book landed on my desk around the beginning of the school year. Robert Greene\u2019s Mastery<\/a><\/em> (New York: Viking, 2012) touches on a number of points that are worthy of exploration and consideration. It reads like a mix of historical biography and self help by a writer who is a master of his craft. I first came across Robert Greene when I listened to his 48 Laws of Power<\/em> (New York: Viking, 1998) as an audiobook. At that point I largely dismissed Greene as a relevant voice in my life due to how Machiavellian his self-help advice came across. Yet, in Mastery<\/em> one finds solid career advice based on the apprenticeship model from the Middle Ages. Intermingled in his delineation of one\u2019s journey toward mastery, Greene chronicles the careers of past masters such as Leonardo, Mozart, Einstein, Darwin, Benjamin Franklin, Marie Curie, Carl Jung, and a host of others.<\/p>\n\n\n\n

In this article I would like to delve into the second section of Mastery<\/em> to explore the three phases of apprenticeship as spelled out by Greene. Because the book reads as advice given to an individual embarking on a new career, there is some translation that needs to occur to nuance Greene\u2019s apprenticeship for a school environment. I will endeavor to examine Mastery<\/em> from three vantage points: 1) the classroom environment as a locus of apprenticeship, 2) the teacher as apprentice, and 3) the work an administrator can do to create a culture<\/a> of apprenticeship.<\/p>\n\n\n\n

The Three Phases of Apprenticeship<\/h1>\n\n\n\n

Let us begin not with the three phases, but with the master idea of apprenticeship: transformation. Greene writes:<\/p>\n\n\n\n

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\u201cThe principle is simple and must be engraved deeply in your mind: the goal of an apprenticeship is not money, a good position, a title, or a diploma, but rather the transformation<\/em> of your mind and character\u2013the first transformation on the way to mastery.\u201d<\/p>\nRobert Greene, Mastery<\/em>, 55.<\/cite><\/blockquote>\n\n\n\n

I cannot help but hear echoes of Romans 12:2, \u201cbe not conformed to this world, but be transformed (\u03bc\u03b5\u03c4\u03b1\u03bc\u03bf\u03c1\u03c6\u03cc\u03c9) by the renewal of your mind, that by testing you may discern what is the will of God, what is good and acceptable and perfect.\u201d Our spiritual apprenticeship to Christ Jesus<\/a> is modeled upon the disciples journeying with Jesus. Our minds and our character undergo a metamorphosis through long years of following Christ. I cannot imagine Greene has this in mind when he writes this, yet the profundity of the truth is well worth noting. The journey of the apprentice in whatever field we might consider is to become someone who is disciplined and focused.<\/p>\n\n\n\n

The first phase of apprenticeship is what Greene calls \u201cdeep observation.\u201d He lays out two broad categories that one observes in an apprenticeship.<\/p>\n\n\n\n

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\u201cFirst, you will observe the rules and procedures that govern success in this environment \u2013 in other words, \u201cthis is how we do things here.\u201d . . . The second reality you will observe is the power relationships that exist within the group.\u201d<\/p>\nRobert Greene, Mastery<\/em>, 57<\/cite><\/blockquote>\n\n\n\n

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I find Green to be fairly Machiavellian here, especially by framing his second category around power. Now it is true in an educational environment that there is an authority structure \u2013 the teacher-student dynamic. It might also be true that certain students wield a kind of power. I find the insights from Jordan Peterson<\/a> helpful to temper power as the singular characteristic of hierarchies. He would contest that a framework of competence might be a better understanding of group dynamics. Now, competence is a form of power, the power of expertise, but it is different than the form of power that often gets expressed as dominance and unfair privilege.<\/p>\n\n\n\n

Okay, so apart from that little diatribe, what Greene lays out is a phase of apprenticeship that features learning the skills of observation, focus, attention, and noticing things. Observation includes the social environment and human interactions. I like how he begins with noticing before making judgments. In education we often want to move quickly to analysis and judgement. Perhaps this is a liability in discussion-based learning. But there is genuine benefit to cultivating the simple skill of noticing things. One of the best tools for cultivating the skill of observation is the practice of narration<\/a>.<\/p>\n\n\n\n

The second phase of apprenticeship is what Greene calls \u201cthe practice mode,\u201d which he defines as \u201cpractice toward the acquisition of skills.\u201d (58) I think this is the phase that amounts to the biggest portion of apprenticeship, which does not mean it is the most important phase, but it stands to reason that much of our time on task occurs in this phase. Greene spells out what we might call a mimetic form of instruction.<\/p>\n\n\n\n

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\u201cThe natural model for learning, largely based on the power of mirror neurons, came from watching and imitating others, then repeating the action over and over. Our brains are highly suited for this form of learning.\u201d<\/p>\nRobert Greene, Mastery<\/em>, 59<\/cite><\/blockquote>\n\n\n\n

Watching, imitating and doing over and over is the most visible part of the master\u2019s workshop. Imagine the activity of the great workshops of the Renaissance<\/a> where apprentices look over the shoulder of the master, go to their own station and practice repeatedly, often with the master then looking over their shoulders.<\/p>\n\n\n\n

While there is much that we learn that gets expressed in language or numbers, Greene spells out how there are certain kinds of information that amount to \u201ctacit knowledge\u201d or knowledge that is difficult to put into words. The Medieval model of apprenticeship enabled the learner to put into practice this tacit knowledge, accumulating the 10,000 hours, a la Anders Ericsson, which might take a decade to master. Imitation and practice, then, is a significant idea derived from this second phase of the apprenticeship as Greene describes it.<\/p>\n\n\n\n

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Nanni di Banco, “Sculptor’s Workshop” (ca. 1416) marble<\/figcaption><\/figure>\n\n\n\n

Furthermore, practice develops over time. As an individual increases in skill, there is an effect Greene describes as the \u201ccycle of accelerated returns\u201d where practice becomes both easier and more rewarding. This correlates well with what Cal Newport shares about passion, enjoyment and interest coming after the accumulation of skill. For something like math, it might take years of work and training to get to the point where true enjoyment emerges. The same is true with excellent literature that demands considerable attention to detail and understanding of literary conventions. We might experience the opposite of joy and passion when encountering these domains early in our apprenticeship. Yet when we gain the requisite time on task, joy and passion emerge.<\/p>\n\n\n\n

The third phase of apprenticeship is what Greene calls \u201cexperimentation\u201d or \u201cthe active mode.\u201d In this phase the apprentice attempts to work independently. Greene writes:<\/p>\n\n\n\n

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\u201cAs you gain in skill and confidence, you must make the move to a more active<\/em> mode of experimentation<\/em>. This could mean taking on more responsibility, initiating a project of some sort, doing work that exposes you to the criticism of peers or even the public. The point of this is to gauge your progress and whether there are still gaps in your knowledge. You are observing yourself in action and seeing how you respond to the judgments of others. Can you take criticism and use it constructively?\u201d (62)<\/p>\nRobert Greene, Mastery<\/em>, 62<\/cite><\/blockquote>\n\n\n\n

Some of the words that stand out to me in this description of the active phase are \u201cresponsibility\u201d and \u201ccriticism.\u201d In earlier phases of apprenticeship, you can imagine the apprentice working almost mechanically. At one level there is observation where the apprentice is soaking everything in. At the practice stage the apprentice is building the habits over and over accumulating skill. Then at this level there is genuine ownership, a sense of personalization of the task at hand. When one takes personal responsibility for one\u2019s own work, there comes with it a vulnerability or exposure of one\u2019s weaknesses. This is why the goal of this phase is to learn how to take criticism well.<\/p>\n\n\n\n

I am reminded of the growth mindset. Carol Dweck describes a form of constructive criticism, \u201cGrowth-minded teachers tell students the truth and then give them the tools to close the gap.\u201d (Mindset<\/a><\/em>, 203) As students work at the cutting edge of their knowledge and skill, honest and forthright communication enables them to have an accurate picture about what they are doing well, but also about what they are not doing well. Yet the child cannot be left there, they must then be given the tools to improve. In the apprenticeship mindset, we can add to Dweck paradigm that a significant part of education ought to be teaching students how to find for themselves the tools to improve, so that when they get to the active stage, they can receive criticism and then creatively explore ways they can improve.<\/p>\n\n\n\n

Greene goes on to dig deeper into the emotional detachment one must learn in the final phase of apprenticeship.<\/p>\n\n\n\n

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\u201cIt is always easier to learn the rules and stay within your comfort zone. Often you must force yourself to initiate such actions or experiments before you think you are ready<\/em>. You are testing your character, moving past your fears, and developing a sense of detachment to your work\u2013looking at it through the eyes of others.\u201d<\/p>\nRobert Greene, Mastery<\/em>, 63<\/cite><\/blockquote>\n\n\n\n

Stepping out of the comfort zone can occur at all stages. I think about students who question whether the answer they produce in my Geometry class is correct. I begin to shift that assessment back onto them. How do you know? Have you checked your work? What if the textbook is wrong? Can you be confident that you have gotten the right answer even if it doesn\u2019t match what others have produced? The answer is either correct or incorrect. If the student is able to assess that on their own, they begin to have a detachment from relying on others to tell them the answer is correct \u2013 as though correctness is some mystery only revealed by the text or the teacher.<\/p>\n\n\n\n

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Greene concludes his delineation of the three phases of apprenticeship by relating it to the nature of work today. We are moving beyond the industrial factory-model of work. Everyone can be a creative by writing blog, producing videos or podcasts, hosting webinars, or starting a business. The apprentice mindset enables individuals to not view themselves as cogs in an economic machine, but to explore new possibilities for creative careers. He writes:<\/p>\n\n\n\n

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\u201cIn general, no matter your field, you must think of yourself as a builder, using actual materials and ideas. You are producing something tangible in your work, something that affects people in some direct, concrete way. To build anything well \u2013 a house, a political organization, a business, or a film \u2013 you must understand the building process and possess the necessary skills. You are a craftsman learning to adhere to the highest standards. For all this, you must go through a careful apprenticeship. You cannot make anything worthwhile in this world unless you have first developed and transformed yourself.\u201d<\/p>\nRobert Greene, Mastery<\/em>, 64<\/cite><\/blockquote>\n\n\n\n

The apprenticeship model Greene develops points to the fact that we cannot view the work of our students (nor our own work for that matter) as fixed. If we view ourselves as capable of transformation, the apprenticeship model provides a pathway to enact coaching and skills formation as a natural part of life.<\/p>\n\n\n\n

Apprenticeship in the Classroom<\/h1>\n\n\n\n

When we are working with our students in the classroom, the three modes or phases of apprenticeship provide a helpful framework for the different kinds of work we are doing. I think it is important to keep in mind that these modes of apprenticeship are not strictly sequential, nor are they bound to long spans of year before one moves into another phase.<\/p>\n\n\n\n

Beginning with deep observation, the first phase, I would encourage teachers to utilize the concepts of atmosphere <\/a>and habit training<\/a> to coach students in “how we do things here.” This is true with regard to how we carefully read texts or patiently observe something in nature. There are procedures and routines that must be learned, such as sitting in a ready position or having a moment of silence after the reading of scripture. Then there is the emotional\/social intelligence component, where one of the ways we are training students is to have facility in relating with all kinds of people in different kinds of situations. This argues for a teacher’s direct involvement in breaks and lunch, in order to coach students well in the hugely important task of cultivating social skills.<\/p>\n\n\n\n

Narration, or telling back, is essential to the task of deep observation. We cannot tell back what we have not given our attention to. While we tend to think of narration as part of a method, it is in and of itself a skill to be cultivated. Students can grow in the ability and capacity to narrate with greater attention to detail, to more fully convey the meaning of the author by utilizing his or her language and style, and to follow with greater nuance the sequence and order of thought in an episode. When we think about deep observation, the depth with which we are able to assimilate texts, music, artwork and nature provide a foundation for the next phases of apprenticeship.<\/p>\n\n\n\n

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The second phase, the practice mode, is where the bulk of the work occurs in a student\u2019s life. We are wise not to consider this solely as homework. Much of the most effective practice a student or apprentice ought to do occurs under the watchful eye of the teacher. This provides greater scope for demonstration (\u201cwatch how I do it\u201d) and correction (\u201cinstead try it this way\u201d). Here I think the concepts in Make It Stick<\/em> <\/a>are invaluable. Spacing and interleaving are preferable to massed practice. At the heart of deliberate practice is a faithful guide \u2013 a master \u2013 who is able to place before the student the correct number of problems that will accomplish the most growth for the apprentice. This might entail a reduced number of practice problems in math or shorter writing assignments so that greater focus can be placed on discrete skills.<\/p>\n\n\n\n

The active or experimentation mode, the third phase of apprenticeship, sees the students exploring their boundaries. We might hear a student ask, \u201cWhat if I tried it this way?\u201d or say, \u201cI got the same answer but my steps were different.\u201d A wise master poses open ended questions that force the student to be creative, considering an issue from a different angle. Teachers can provide a class with a problem to solve that requires teamwork, collaboration and may involve trial and error.<\/p>\n\n\n\n

The big takeaway from thinking through the apprenticeship model in this way is that all phases are relevant to the group of students in your classroom. It could be a lesson weaves together observation, practice and experimentation. The phases might move back and forth between practice and observation with experimentation coming days later when the requisite knowledge and skill can be unleased on an interesting problem, issue or question. Perhaps a unit can be structure around this broad series of phases. I could see a quiz or exam structured accordingly. The key is to see how guiding students towards mastery involves all three: observation, practice and experimentation. Our role in this is to establish these guiding principles and then to be the master in the workshop alternately demonstrating and then providing feedback.<\/p>\n\n\n\n

Teachers as Apprentices<\/h1>\n\n\n\n

The bulk of my thoughts has centered on the classroom environment. However, I think it is equally important to view our task as teachers as a craft. Whether you are in your early years as a teacher or have been in the classroom for decades, take as many opportunities as you can to observe other teachers. One of the brilliant tools available with TLAC is that there is video content where techniques and best practices can be watched. Some of the most important skills a master teacher deploys are actually quite difficult to put to words. We develop intuitions about which student needs attention, when to raise or lower a voice, whether to turn my back when writing on the board or where to position myself when the class returns from PE. It\u2019s quite another thing if one sees another teacher doing these things. We catch much by way of osmosis. What this points to is getting outside your classroom to catch by any means available a glimpse into a colleague\u2019s room.<\/p>\n\n\n\n

Practicing lessons is most often done when a teacher is in college. They practice lessons, do a semester or year-long placement, and then are launched into their career. Daily teaching is indeed a form of practice, but it might not be deliberate practice. We might very well reinforce rather bad teaching habits unless some planning or focused attention on some technique is applied. Here I think a wise teacher will insert into lesson plans notes about techniques they will practice. I might note to myself, \u201cwalk up and down the rows in my classroom\u201d or \u201cuse cold calling today\u201d or \u201cwait for more hands during history class.\u201d Narrowing the aperture in this way gives us more leverage to cultivate discrete skills and perhaps track our growth in certain areas.<\/p>\n\n\n\n

Talk with your supervisor about techniques you are working on in your classroom. Invite him or her to come observe you, telling them that you are trying something different today and would like their feedback. This is where you are simultaneously practicing the craft of teaching but also experimenting with the edges of your comfort zone.<\/p>\n\n\n\n

You don\u2019t have to be far into your tenure as a teacher to take another teacher under your wing. Oftentimes our pathway to mastery lies not in practicing in isolation, but in taking opportunities to coach and mentor other teachers. This doesn\u2019t need to be formalized in any way. I have seen teachers only a few years into their careers come alongside new faculty to \u201cshow them the ropes.\u201d<\/p>\n\n\n\n

Creating a Culture of Apprenticeship<\/h1>\n\n\n\n

Observation, practice and experimentation should be encouraged amongst the faculty, and if you are an administrator there is much that can be done to plan training around the apprenticeship model. Here are a couple of ideas that I have implemented at various times and hope to build on in the future.<\/p>\n\n\n\n

First, the most impactful thing you can do as an administrator is to observe your teachers. When I go into a classroom, I literally open a new Word document and simply type what I see and hear. I have told my teachers that I am here to learn and not to judge (a technique I learned from Jason). I need to be able to see what is happening in the classroom to understand the \u201cteacher personality\u201d of the teacher. I am often surprised to hear the teacher\u2019s voice while teaching, which can be quite different than their voice when interacting one on one. I need to see how the students are behaving. I look at the d\u00e9cor and the arrangement of the furniture. I catch the major transitions and subtle looks between the two students in the corner. Untied shoes, untucked t-shirts, but also kind words, helpfulness and genuine thoughtfulness all get noted. I try to spend fifteen to thirty minutes in the classroom, which is quite a lot of time. Before I leave, I send a copy of my notes to the teacher. I include items of feedback and advice in and amongst the notes. I send my notes without expecting any reply, but sometimes I will get a good interaction going. Sometimes I will ask the teacher to interact with the notes during our next one-on-one meeting. The big idea here is that observation with feedback supports the teacher as he or she strives towards excellence in their craft.<\/p>\n\n\n\n

Second, do what you can to enable teachers to observe one another. This is professional development gold! You yourself might need to sub or to hire subs to make this happen. At my previous school I devoted a week to peer observation, scheduling peer observations like a round robin tournament. Some preliminary planning sought to identify individuals that might have a technique or practice that would benefit another teacher. Some of the pairings were simply serendipitous. What I found was that peer observation injected a potent shot of energy into our work as teachers. Conversations around teaching practices lasted weeks after the peer observations. What\u2019s more, it significantly boosted the culture of mutual learning I had wanted to implement for years. Why had I not attempted this peer observation things sooner?<\/p>\n\n\n\n

Finally, my most recent experiment involves short practice lessons in small groups of teachers. By teaching other colleagues in a compressed format, we get outside the daily routines with the students and get highly valuable feedback from our peers. The format I used was to have groups of four teach lessons in five to seven minutes (which means it has to be short and to the point, likely a portion of a lesson), and then for three to five minutes the other teachers provide feedback (similar to my observation model above). Each teacher gets roughly ten minutes in the \u201chot seat\u201d and then at the end we all discuss some of our big takeaways. It\u2019s a fifty to sixty minute exercise that gets us into the mode of deliberate practice with one another. It also provides an opportunity for experimentation, the third mode of apprenticeship.<\/p>\n\n\n\n

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Hopefully this short interaction with Robert Greene\u2019s book Mastery<\/em> has stimulated your thinking about how an apprenticeship approach can impact your classroom or school. As I\u2019ve reflected on this book, I find myself viewing my vocation as simultaneously one of an apprentice moving toward mastery and a master coaching apprentices. If this idea of apprenticeship has sparked your imagination, I would like to direct you to a resource created by my colleague, Jason Barney \u2013 the apprenticeship lesson plan. In this free resource, you will discover ways in which you shape your lessons around coaching and apprenticeship derived from Comenius\u2019 method of teaching.<\/p>\n\n\n\n

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A new book landed on my desk around the beginning of the school year. Robert Greene\u2019s Mastery (New York: Viking, 2012) touches on a number of points that are worthy of exploration and consideration. It reads like a mix of historical biography and self help by a writer who is a master of his craft. 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Leonardo da Vinci was born in 1452 near Florence in the small Tuscan town of Vinci.\u2026","rel":"","context":"In "History of Education"","block_context":{"text":"History of Education","link":"https:\/\/educationalrenaissance.com\/category\/history-of-education\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/10\/Francesco_Melzi_-_Portrait_of_Leonardo-inset.png?fit=1185%2C1185&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/10\/Francesco_Melzi_-_Portrait_of_Leonardo-inset.png?fit=1185%2C1185&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/10\/Francesco_Melzi_-_Portrait_of_Leonardo-inset.png?fit=1185%2C1185&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/10\/Francesco_Melzi_-_Portrait_of_Leonardo-inset.png?fit=1185%2C1185&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/10\/Francesco_Melzi_-_Portrait_of_Leonardo-inset.png?fit=1185%2C1185&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2608,"url":"https:\/\/educationalrenaissance.com\/2022\/01\/15\/apprenticeship-in-the-arts-part-2-a-pedagogy-of-craft\/","url_meta":{"origin":3269,"position":2},"title":"Apprenticeship in the Arts, Part 2: A Pedagogy of Craft","author":"Jason Barney","date":"January 15, 2022","format":false,"excerpt":"In my previous article in this series on Aristotle\u2019s intellectual virtues, I discussed the general nature of artistry or craftsmanship under the heading of apprenticeship. Aristotle\u2019s virtue of techne, often translated \u2018art\u2019, points to our human capacity to make things, to produce things in the world. Words like \u2018artistry\u2019 or\u2026","rel":"","context":"In "Classical Tradition"","block_context":{"text":"Classical Tradition","link":"https:\/\/educationalrenaissance.com\/category\/classical-tradition\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/01\/Untitled-design-20.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/01\/Untitled-design-20.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/01\/Untitled-design-20.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/01\/Untitled-design-20.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/01\/Untitled-design-20.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2903,"url":"https:\/\/educationalrenaissance.com\/2022\/04\/09\/apprenticeship-in-the-arts-part-4-artistry-the-academy-and-the-working-world\/","url_meta":{"origin":3269,"position":3},"title":"Apprenticeship in the Arts, Part 4: Artistry, the Academy and the Working World","author":"Jason Barney","date":"April 9, 2022","format":false,"excerpt":"In his book So Good They Can\u2019t Ignore You: Why Skills Trump Passion in the Quest for Work You Love, Cal Newport argues against the well-known Passion Hypothesis of career happiness. He describes the Passion Hypothesis as the idea that \u201cthe key to occupational happiness is to first figure out\u2026","rel":"","context":"In "Classical Tradition"","block_context":{"text":"Classical Tradition","link":"https:\/\/educationalrenaissance.com\/category\/classical-tradition\/"},"img":{"alt_text":"academy","src":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/04\/Untitled-design-14.png?fit=1100%2C600&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/04\/Untitled-design-14.png?fit=1100%2C600&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/04\/Untitled-design-14.png?fit=1100%2C600&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/04\/Untitled-design-14.png?fit=1100%2C600&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/04\/Untitled-design-14.png?fit=1100%2C600&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2663,"url":"https:\/\/educationalrenaissance.com\/2022\/02\/05\/apprenticeship-in-the-arts-part-3-crafting-lessons-in-artistry\/","url_meta":{"origin":3269,"position":4},"title":"Apprenticeship in the Arts, Part 3: Crafting Lessons in Artistry","author":"Jason Barney","date":"February 5, 2022","format":false,"excerpt":"In the previous two articles in this series exploring Aristotle\u2019s intellectual virtues, I laid out a fivefold division of the arts and a teaching method for training in artistry. My guiding hypothesis is that rethinking education through the Aristotelian paradigm of intellectual virtues will combat some of the typical problems\u2026","rel":"","context":"In "Classical Tradition"","block_context":{"text":"Classical Tradition","link":"https:\/\/educationalrenaissance.com\/category\/classical-tradition\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/02\/Untitled-design-22-scaled.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/02\/Untitled-design-22-scaled.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/02\/Untitled-design-22-scaled.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/02\/Untitled-design-22-scaled.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/02\/Untitled-design-22-scaled.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3087,"url":"https:\/\/educationalrenaissance.com\/2022\/06\/18\/apprenticeship-in-the-arts-part-6-the-transcendence-and-limitations-of-artistry\/","url_meta":{"origin":3269,"position":5},"title":"Apprenticeship in the Arts, Part 6: The Transcendence and Limitations of Artistry","author":"Jason Barney","date":"June 18, 2022","format":false,"excerpt":"In this series on apprenticeship in the arts we have laid out a vision for the role of the arts in a fully orbed classical Christian education. We began by situating artistry or craftsmanship within a neo-Aristotelian and distinctly Christian purpose of education: namely, the cultivation of moral, intellectual, and\u2026","rel":"","context":"In "Classical Tradition"","block_context":{"text":"Classical Tradition","link":"https:\/\/educationalrenaissance.com\/category\/classical-tradition\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/06\/Untitled-design-34-scaled.jpg?fit=1200%2C814&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/06\/Untitled-design-34-scaled.jpg?fit=1200%2C814&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/06\/Untitled-design-34-scaled.jpg?fit=1200%2C814&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/06\/Untitled-design-34-scaled.jpg?fit=1200%2C814&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/06\/Untitled-design-34-scaled.jpg?fit=1200%2C814&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/posts\/3269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/comments?post=3269"}],"version-history":[{"count":5,"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/posts\/3269\/revisions"}],"predecessor-version":[{"id":3678,"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/posts\/3269\/revisions\/3678"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/media\/3273"}],"wp:attachment":[{"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/media?parent=3269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/categories?post=3269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/educationalrenaissance.com\/wp-json\/wp\/v2\/tags?post=3269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}