{"id":1322,"date":"2020-06-13T08:35:04","date_gmt":"2020-06-13T13:35:04","guid":{"rendered":"https:\/\/educationalrenaissance.com\/?p=1322"},"modified":"2023-05-14T19:21:42","modified_gmt":"2023-05-15T00:21:42","slug":"summertime-and-the-learning-is-easy","status":"publish","type":"post","link":"https:\/\/educationalrenaissance.com\/2020\/06\/13\/summertime-and-the-learning-is-easy\/","title":{"rendered":"Summertime, and the Learning is Easy"},"content":{"rendered":"\n

Summertime has arrived. Gershwin’s song from Porgy and Bess<\/em> is clearly on my mind, if you caught the allusion in my title. If you have a moment, watch Ella Fitzgerald’s soulful performance of “Summertime, and the Livin’ is Easy<\/a>” in Berlin during the summer of 1968. You could listen to any number of recordings, but this one stands out because you can see the intricacies of her performance. She was a true master.<\/p>\n\n\n\n

One of the great joys of being a teacher is summers off. This may be one of the chief compensations, more important to teachers than healthcare or retirement accounts. I for one love the rhythm of the schoolyear and delight in the summer downtime. Working as an administrator for several years now, the joy has somewhat diminished since there\u2019s still so much work to be done. But even in this case, the nature of the work is different, and therefore enjoyable in its own way.<\/p>\n\n\n\n

As I reflect on the dynamic of summer vacation, I wanted to inspire our readers with an opportunity that lays before us. During the school year, when it is our responsibility to teach, we rarely have the time to be learners ourselves. It\u2019s true that quite a number of teachers take continuing education courses. Many of my colleagues over the years have worked towards their masters degrees during the school year. I myself had finished all my degrees before teaching full time. So these educational warriors have my admiration.<\/p>\n\n\n\n

\"David<\/a>
David Hooker, Professor of Art
at Wheaton College<\/figcaption><\/figure><\/div>\n\n\n\n

Two of my colleagues, one in St. Louis and another here in Chicago, caught my attention by taking what might be considered special interest classes. They weren\u2019t working towards a degree. Instead, they took classes sheerly from their interest in the subject. My colleague Rachel at Providence took a pottery class, making beautiful pieces that she eventually gifted to our graduating seniors. My colleague Nathan at Clapham was caught carrying a cello down the road. When asked what he was doing lugging such a large instrument, he said he was taking cello lessons. Both of these examples epitomized for me the value of lifelong learning. If you are like us at Educational Renaissance, then you value lifelong education. We often consider this concept in light of our students. But what about us?<\/p>\n\n\n\n

Therefore, when a professor at Wheaton College \u2013 who also happens to attend my church \u2013 offered a basic pottery class this summer, I jumped at the chance to learn a new skill. Here are some thoughts that emerged through the process. As I reflect on my experience as a learner, hopefully it will inspire you to find something to learn this summer, and then you can experience the joy of learning by taking a summer class.<\/p>\n\n\n\n

The Basics of Pottery<\/h2>\n\n\n\n
\"\"
Rolling a coil for the first time<\/figcaption><\/figure><\/div>\n\n\n\n

First, for the uninitiated, here is an outline of basic pottery. You grab a clump of wet clay. You work it around in your hands until it becomes a ball. Take a small part of the ball, and flatten it to the size of an iPhone, marking out a round portion for the base of, say, a mug. Then you roll the rest of the ball between your hands to form it into a snake. You probably remember doing something like this with Play-Doh when you were a kid. You continue to roll the snake on the board until it is long enough to form a coil around the circumference of the base. You then squish (not being very technical here) the coil, working it into the base and upward slightly. You can add on more coils; I did three. You continue to squish the sides, forming a flat surface on your cylinder. After letting it set for a day, I added a handle. And, voila<\/em>, a mug ready to be glazed and fired.<\/p>\n\n\n\n

There are definitely other levels to pottery. For instance, I didn\u2019t do anything with a wheel, which is what many people associate with pottery. One can learn about different kinds of clay, or different tools of the trade. I didn\u2019t go into this aiming to set up a home studio. Instead, I wanted to try something new. I wanted to get my hands working with something. And I wanted an activity that would serve as a stress reliever during one of the strangest ends to a school year I had ever experienced.<\/p>\n\n\n\n

Learning Means Confronting the Fear of the Unknown<\/h2>\n\n\n\n

Fear is an interesting emotion. We learn in 1 John 4:18 that \u201cThere is no fear in love, but perfect love casts out fear.\u201d From this we might surmise that fear is a bad thing. Yet we are called to fear God, by which we understand fear to mean respect or worship. This seems to be a good thing. Fear of the unknown is a very real aspect to our existence as human beings. If God is unknown to an individual, the fear that person experiences would be substantially different than that of the individual who knows God and is known by God. I believe I have a healthy fear of my wife, but not the kind of fear one has when one\u2019s life is threatened. Love has cast out that kind of fear. All that remains is the niggling kind of fear that somehow my imperfections will collide with her imperfections in some way that causes sparks to fly. But we\u2019ve been through enough of those, that fear really isn\u2019t the right word for it anymore. Forgive my tangent into fear, but it does relate, I promise. (Perhaps I am causing you the fear of the unknown right now).<\/p>\n\n\n\n

\"\"
Attaching the base. Will it work or will it all collapse?<\/figcaption><\/figure><\/div>\n\n\n\n

When we learn, there is a genuine fear of that which is not known or only partially known. We have an entire neurological system devoted to processing fear. The limbic system helps our bodies scan for danger. A small, almond-shaped part of our brain called the amygdala is ready to initiate the fight, flight or play dead programmed response to danger. There were reasons our ancestors were scared to leave their caves. And yet without overcoming those fears, there would have been no food, no exploration, and no learning. You see, when we learn something new, there\u2019s a part of our brain that is afraid of this new thing. Will it hurt? Will it change me? Am I any good at it? Will everyone make fun of me if I fail, or even if I succeed?<\/p>\n\n\n\n

With pottery, there is the fear that whatever it is I\u2019m making will look terrible. I might try to make a mug, but end up with a clumpy, amorphous blob that isn\u2019t even good enough to be an ashtray (and who uses those anymore anyway?). Another fear is that I\u2019ll make something that I\u2019m pleased with, but it cracks when it is fired. That\u2019s a real risk. Why take the risk, one asks oneself. Better not to begin at all than set oneself up for failure. I find it helpful to face these fears as a learner. How many of our students face these fears with multiple subjects every day? We are working with true heroes.<\/p>\n\n\n\n

Learning Ought to Humble You<\/h2>\n\n\n\n

Learning is not only about gaining intellectual courage, it is also about acquiring intellectual humility. The expectation on all teachers is that they are the experts in the classroom. We prepare ourselves through careful study to deliver content and guide students to knowledge based on the fact that we know substantially more than our students. Now it ought to be the case that despite our teacherly expertise, we have simultaneously cultivated intellectual humility. Pride should not get in the way of us admitting areas where we lack expertise. Intellectual pride can trip us up when students ask questions. We want to mask our fallibility by seeming omniscient. Telling our students, \u201cI don\u2019t know,\u201d or \u201cI need to think about that more,\u201d goes a long way towards being rigorously honest with our students. Not knowing everything is not a sign that we are not experts, it just shows that we are aware of what we know and what we don\u2019t know. This can enable greater connection with our students, as we establish an atmosphere of learning together.<\/p>\n\n\n\n

With these thoughts in mind, I was so happy to enter an environment where I had no expertise. Like my students, I had to submit myself to teacher who would guide me based on his expertise. David, my teacher, has a calm voice and a positive attitude. His advice to novice potters is based in years of working with clay and producing lots and lots of great pieces. The clay itself is a teacher as well, and the clay will humble you. There were several projects I started that fell apart in my hands. All I could do was ball the clay up and start over. Even the pride one feels in a finished project has in it the flaws or unrefined areas that become evident the more you learn and grow.<\/p>\n\n\n\n

\"\"
Father and son working the clay<\/figcaption><\/figure><\/div>\n\n\n\n

One aspect of the joy of learning is addressing this concept of humility. As human beings, we are limited, frail and fallible. Frequently we attempt to cover this up, to hide what we truly are behind the smoke and mirrors of our expertise and accomplishments. True human growth, though, only occurs when we uncover our true nature and deal with it. As an individual confronts an area of lack, there is a transformation that can occur, whereby something about us becomes strengthened. For instance, my hands are completely unpracticed in the art of pottery. I compared one of my rolled coils with that of my teacher, and it fell way short of his standard. In owning that self-assessment, I continued to practice rolling the clay, getting a little bit better feel for it. Learning some subtle techniques to more evenly roll out the clay. I\u2019m certainly not there yet, but I can see growth that occurred through honest self-evaluation and acceptance of personal weakness.<\/p>\n\n\n\n

Learning is about Process rather than Product<\/h2>\n\n\n\n

Often our thinking about learning focuses too much on the end product, whether it\u2019s a grade, an award or entrance into some college or career. In one of my previous articles, I challenged our thinking about using end product as the measure of success<\/a>. We tend to measure success based on end product rather than process largely because it\u2019s often easier to measure. Does Johnny meet the objective or not? There\u2019s a place for summative assessment, to see where things stand at a key moment in time. But the most important work of learning is setting up good processes that will last a very long time, most often beyond the timeframes we set up for measurements.<\/p>\n\n\n\n

\"\"
Four mugs ready to be glazed and fired<\/figcaption><\/figure><\/div>\n\n\n\n

Working with pottery was a chance for me to see the process of learning at work. You keep working at the clay, shaping it and refining it. For several days I would set aside the piece I was working on to take it out and work it some more. Each time I could feel that my hands were becoming more used to the clay. I was gaining more insight into the techniques being taught. New ideas emerged for what direction I wanted to take this project as well as the next one. Imperfections were evident each new day that weren\u2019t as obvious the previous day. I\u2019m looking forward to the end product, don\u2019t get me wrong. I will use my handmade mugs with pride. But the process is so alluring that I find myself more looking forward to the next time I can work the clay.<\/p>\n\n\n\n

\"\"
My insignia takes pride of place on the base<\/figcaption><\/figure><\/div>\n\n\n\n

There seems to be a lesson in this for us. Learning should entice us to enter into the process again and again. Our students should be encouraged to rework and refine whatever it is they are learning. Yes, there will be moments where we celebrate the work we\u2019ve finished, but our learning comes in the moments when we are working through the process. We should create an atmosphere in our classrooms where we celebrate the moments when we are metaphorically or literally getting our hands dirty in the work.<\/p>\n\n\n\n

Learning Brings True and Lasting Joy<\/h2>\n\n\n\n

There is a profound difference between true and lasting joy and the trifling hits of dopamine on offer in today\u2019s world. We are tempted to think we have been productive or done something meaningful after a morning of reading through email, scrolling through a Facebook feed, and watching a few YouTube videos. Yet we all know that feeling of wondering where the day went and whether we actually did anything of any worth. We really need moments of true and lasting joy, but they almost always occur as a result of concerted effort. This was a point I made in my review of Josh Waitzkin\u2019s book<\/a>. Learning places us in a position where we are able to engage in something that will help us to grow, and in that growth we will find true and lasting joy.<\/p>\n\n\n\n

In speaking about educating children, Charlotte Mason connects the dots of a holistic education. She writes:<\/p>\n\n\n\n

‘Education is the Science of Relations,’ is the principle which regulates their curriculum; that is, a child goes to school with many aptitudes which he should put into effect. So, he learns a good deal of science, because children have no difficulty in understanding principles, though technical details baffle them. He practises various handicrafts that he may know the feel of wood, clay, leather, and the joy of handling tools, that is, that he may establish a due relation with materials. <\/p>Charlotte Mason, Towards a Philosophy of Education<\/a><\/em><\/em>, 31<\/a><\/cite><\/blockquote>\n\n\n\n

This quote is packed full of ideas. What I want to draw from this for now is that student aptitude is drawn out and promoted through effort. This effort is a joyful experience not only in the moment of learning, but that joy also gets compounded at later points. One aptitude enhances another. Different areas of learning begin to influence each other. The whole person is deeply impacted by this \u201cscience of relations\u201d whereby a student gains mastery of multiple and varied areas of knowledge. And notice that these areas of learning are not just intellectual. She sees how intellectual learning and handicrafts work together, giving students transferable skills.<\/p>\n\n\n\n

\"\"
Finished pottery of me
and my classmates<\/figcaption><\/figure><\/div>\n\n\n\n

In the introductory video, my teacher mentioned how working with clay could be a stress reliever. I have been reflecting on this, because he\u2019s right, it is a stress reliever. I think that\u2019s another way of saying that when you work with the clay, you will experience true and lasting joy, which is an antidote to stress. For us as educators, there is a lesson here. The subjects we teach are full of potential joy that comes through deep work. Students sometimes confuse the effort of deep work with the stress of life today. We need to help them to understand this difference, and the way to do this is by tracking joy. Our classrooms should be places where we celebrate the effort of deep work and the accumulation of aptitudes in different areas.<\/p>\n\n\n\n

I hope you\u2019ve enjoyed my reflections on learning pottery. Maybe this will inspire you to sign up for a class this summer. If you are plan to learn something this summer, let us know in the comments. The Educational Renaissance community is one that promotes life-long learning, so we\u2019d love to hear what you\u2019re learning. Having mentioned the concept of joy, allow me to promote Jason\u2019s new book, The<\/em> Joy of Learning: Finding Flow through Classical Education<\/em>. Learn more about it on our webpage promoting his book<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Summertime has arrived. Gershwin’s song from Porgy and Bess is clearly on my mind, if you caught the allusion in my title. If you have a moment, watch Ella Fitzgerald’s soulful performance of “Summertime, and the Livin’ is Easy” in Berlin during the summer of 1968. You could listen to any number of recordings, but […]<\/p>\n","protected":false},"author":1,"featured_media":1326,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[294],"tags":[11,4,308,60,309,306,113,307,310],"class_list":["post-1322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-charlotte-mason","tag-charlotte-mason","tag-deep-work","tag-intellectual-courage","tag-intellectual-humility","tag-intellectual-virtues","tag-joy-of-learning","tag-lifelong-learning","tag-pottery","tag-science-of-relations"],"yoast_head":"\nSummertime, and the Learning is Easy •<\/title>\n<meta name=\"description\" content=\"You can experience the joy of learning by taking a summer class. 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Gershwin’s song from Porgy and Bess is clearly on my mind, if you caught the allusion in my title. If you have a moment, watch Ella Fitzgerald’s soulful performance of “Summertime, and the Livin’ is Easy” in Berlin during the summer of 1968. You could listen to any number of recordings, but…","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa7K1D-lk","jetpack-related-posts":[{"id":864,"url":"https:\/\/educationalrenaissance.com\/2020\/01\/25\/charlotte-mason-and-the-power-of-ideas\/","url_meta":{"origin":1322,"position":0},"title":"Charlotte Mason and the Power of Ideas","author":"Kolby Atchison","date":"January 25, 2020","format":false,"excerpt":"As Charlotte Mason observed, there is nothing quite like the experience of being struck by an idea. The experience is equivalent to being the recipient of some unexpected treasure. Ideas loosen our grip on holding a thin view of the world. 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Our glowing rectangles promise us conveniences such as efficiency and a life of ease, but for what purpose? More efficiency, more ease. 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Instead, the quality of learning is the true test of whether we are providing something of lasting value and worth. To that end, I have taken a\u2026","rel":"","context":"In "Charlotte Mason"","block_context":{"text":"Charlotte Mason","link":"https:\/\/educationalrenaissance.com\/category\/charlotte-mason\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/educationalrenaissance.com\/wp-content\/uploads\/2022\/05\/A-Woman-Teaching-Children-To-Read-And-Write-In-An-Interior.jpg?fit=512%2C608&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3247,"url":"https:\/\/educationalrenaissance.com\/2022\/08\/27\/education-is-an-atmosphere-foundations-for-a-christian-paideia\/","url_meta":{"origin":1322,"position":3},"title":"“Education is an Atmosphere”: Foundations for a Christian “Paideia”","author":"Kolby Atchison","date":"August 27, 2022","format":false,"excerpt":"'Education is an atmosphere, a discipline, a life'\u2013\u2013is perhaps the most complete and adequate definition of education we possess. 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